Author: Brandon Boruch

Brandon, originally from Chicago, is an LAMDA graduate in acting. He intends to make this a fun, part-time job with his beautiful stage manager partner at his side.

THE MERCHANT OF VENICE 1936 – REVIEW – WATFORD PALACE THEATRE

3rd March 2023

After being on hold for three years due to the pandemic, Watford Palace Theatre proudly presents a revolutionary version of The Merchant Of Venice 1936. Placing Tracy-Ann Oberman as Shylock, who is normally played by a male figure, this production attempts to challenge the preconceived notions about Jewish moneylenders and ideology around social and political power.  The … More THE MERCHANT OF VENICE 1936 – REVIEW – WATFORD PALACE THEATRE

REVIEW – ANTI GONE – THE COCKPIT

4th November 2022

A re-imaged version of the renowned Sophocles tragedy, Anti Gone, written by Evgeniya Palekhova, attempts to bring a version focusing on the relationship between Creon and Antigone exploring abuse of power. This version is performed in Russian with English subtitles which are strongly worded but hard to understand if you haven’t come prepared with the history … More REVIEW – ANTI GONE – THE COCKPIT

REVIEW – DISTANT WORLDS: FINAL FANTASY – ROYAL ALBERT HALL

3rd October 2022

Returning once more to the Royal Albert Hall, the producers of Distant Worlds are proud to present a new concert experience: Final Fantasy 35th Anniversary Distant Worlds: Music from Final Fantasy Coral. In conjunction with the 15th year anniversary for Distant Worlds, this is a very special year of celebration for this franchise.    This special … More REVIEW – DISTANT WORLDS: FINAL FANTASY – ROYAL ALBERT HALL

REVIEW – TICKLE – DRAYTON ARMS THEATRE

25th September 2022

Tickle, is the new hit musical comedy that LAMBCO Production bestows upon us, the show is currently on at the Drayton Arms Theatre. This ‘Standing Ovation Award’ winning production certainly shows its success in quick, short bursts.  The Tina Tickle Empire is on the lookout for some good-looking people to compete in the sport of endurance … More REVIEW – TICKLE – DRAYTON ARMS THEATRE

REVIEW – BUBBLE SHOW (FOR ADULTS ONLY) – BARONS COURT THEATRE

22nd September 2022

Prepared to be wowed by this bubblelicious burlesque show by the sexy dynamic duo Kurt Murray and Iulia Benze, directly from a hugely successful run at Edinburgh Fringe. We both went in with an open, curious mind and left in awe at what we had just witnessed. An adult-only mixed visual incorporating bubble artistry and … More REVIEW – BUBBLE SHOW (FOR ADULTS ONLY) – BARONS COURT THEATRE

REVIEW – ROME 3000 (JULIUS CAESAR) – CAMDEN FRINGE

8th August 2022

Camden Fringe brings Rome 3000 to the stage, where you’ll witness an 80-minute compacted version of one of Shakespeare’s most epic plays, Julius Caesar. It showcases modernized elements through gender switching and live music written by Company Colab. A cast of seven, who were all present on stage throughout (some of which multi rolling), took … More REVIEW – ROME 3000 (JULIUS CAESAR) – CAMDEN FRINGE

REVIEW – THE IMPORTANCE OF BEING ANXIOUS – CAMDEN FRINGE

4th August 2022

This play’s title, The Importance of Being Anxious shows the audience that they can expect humour to be bestowed upon them during this show. Hollywood Screenwriter, Hal Cantor writes and stars as the leading protagonist to this exploration into the life of an anxiety-fueled, bisexual man.  This autobiographical telling from Cantor, tells his story as … More REVIEW – THE IMPORTANCE OF BEING ANXIOUS – CAMDEN FRINGE

REVIEW – COLOSSAL – CAMDEN PEOPLES THEATRE

19th July 2022

Following his sold-out previous performances, Patrick McPherson is returning to the Edinburgh Fringe this year with his new one-man comedy show. We caught a London preview of his new show Colossal, before it hits the Fringe in August. It’s a Colossal set of emotions and personality traits that connects us from the start, through the … More REVIEW – COLOSSAL – CAMDEN PEOPLES THEATRE

REVIEW – SAD-VENTS – WHITE BEAR THEATRE

21st June 2022

Eleanor Hill writes and stars in her debut one-woman, tragicomedy show exploring mental health, heartbreak, toxicity, and the effects that life events carry through relationships while also experimenting with the use of digital elements filming live throughout. Sad-Vents is a journey through many hard-hitting topics, which Hill lists at the beginning of the performance, allowing … More REVIEW – SAD-VENTS – WHITE BEAR THEATRE

REVIEW – LOVE (TO) BITS – BARONS COURT THEATRE

12th June 2022

Love (to) Bits attempts to incorporate verbatim theatre as well as the experiences of the lead protagonist, the hopeless romantic, Cynthia (Ioana Goga). The show explores the concept of ‘what love is’ through separate story arcs which unfortunately interrupt the pace and flow of the show, instead of enhancing it. Beginning with Cynthia at the … More REVIEW – LOVE (TO) BITS – BARONS COURT THEATRE