Love me for who I am! Boys in the Buff is a diverting piece that explores body acceptance in all its shapes and sizes. It is 2023 and one would hope that we would not need a play like this; but, whenever you leave the house, go to the movies or – God forbid – open social media, unrealistic beauty standards are being pushed on all of us. Countless women have been comparing themselves to an unachievable standard – and who would have thought that men struggle with exactly the same thing?
Boys in the Buff is a show about a show; basically, four boys and a big-hearted mama prepare for their big night performing at a strip show, when one of them has second thoughts. Suddenly he realises that he feels uncomfortable in his own skin, especially as he fears having certain “shortcomings” and would be compared to bigger men by the audience. This confession leads to a concatenation of tales from the other boys, admitting they are not or have not been as confident with their bodies as they now appear – and a journey towards body acceptance begins.
What a message – both body shaming and the idea that you just have to love your own body to make all your troubles go away are hurtful and unhealthy. But in going down the road of acceptance rather than unconditional positivity, writer Chris Burgess finds just the right tone.
Looking at the show as a whole, however, it just failed to come together as a piece. Boys in the Buff is more or less a related string of retold events rather than a cohesive story. Luckily the message shines through, but I would have loved more of an arch. I also wished for more connecting of the dots rather than throwing some scenes in which do not progress the story. But the entire cast carries their story and contributes a lot of individuality which makes the play very relatable. I enjoyed the overall strong vocals as well as acknowledging the individual talent when it came to dancing.
Overall, I feel Boys in the Buff could tell an important story; in a world where photoshopped superstars and slimming shakes that promise you more weight loss in fewer days are more present than ever, this message very much needs to be heard.
⭐⭐⭐
Rating: 3 out of 5.
Boys in the Buff is heading to Edinburgh Fringe – info here!
{🎟 AD – PR invite – Tickets were gifted in exchange for an honest review}
Spine-tingling yet heart-warming, Mark Gatiss’s retelling of A Christmas Carol truly encapsulates the haunting atmosphere of a Victorian ghost story, balanced out with enough humour so as to capture the festive season. Led by Keith Allen as Scrooge, with Peter Forbes as Marley, this show is perfect for Christmas viewing. The set design by Paul Wills is instantly captivating, containing stacks of metal cabinets towering over the theatre, moveable by the cast to allow space for other central props like doors, beds and tables. In addition to this, the puppetry design by Matthew Forbes is incredibly clever, adding creepy elements to the show such … More A CHRISTMAS CAROL – REVIEW – ALEXANDRA PALACE
The title of this winner of Theatre 503’s 2023 International Playwriting Award by Roxy Cook may seem like the set-up to a joke, but the narrative that unspools is instead an affectionate, gently barbed and at base quite sobering portrait of three ordinary souls (and one restless feline) adrift in modern Moscow. There is much affable, satirical back-and-forth commentary on the accepted myths & stereotypes of the Russian spirit & soul. Beset by the indignities of age, opportunism, graft, fatigue, the characters orbit one another, doomed to play out their roles in an unjust, predatory and saturnine universe. The play opens … More A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503
Peter Pan Goes Wrong first premiered in London at the Pleasance Theatre in 2013, and earlier this year the show made its Broadway debut. Now the production is back in the West End for the Christmas season. Following on from The Play That Goes Wrong, in this production, J.M. Barrie’s Peter Pan is staged by the fictitious Cornley Polytechnic Drama Society and goes awry, disastrously so. The meta-comedy is filled with slapstick comedy, sometimes the humour may be predictable and silly, but it’s universally funny throughout – there is something for everyone here, and the laughs come thick and fast … More PETER PAN GOES WRONG – REVIEW – LYRIC THEATRE
Drawing heavily from the classic canon of the British supernatural, High Tide’s trio of contemporary Gothic narratives uses traditional storytelling formats to address contemporary themes. Directed by Elayce Ismail, reverent musical interludes accompany tales of apparitions and nighttime conjurings that speak of women from the East of England. Unfortunately, the effect is less chilling and more lightweight, with conventional structures, predictable plot twists and an over-reliance on external forces to drive narrative shoring up some of the less relatable aspects of the genre. Nicola Werenowska’s The Beach House, perhaps the cleanest of the three tales, tells of a mother and … More GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSE
Drum roll please…(Cue a literal drum rolling across the stage.) The Lyric pantomime is one of traditions with the return of many well-loved jokes and skits. Costumes and sets are all made at the Lyric itself by Good Teeth, with set pieces being reused year on year. This year Cinderella gets the Hammersmith makeover, with some success. The costuming is fun and vibrant, with the ugly stepsisters’ equine pyjamas and hoop-skirted ball gowns giving all the wrong kinds of extra you need for those characters. Cinderella’s on stage dress transformation is magical and really well-timed. The Dame, Lady Jelly-Bottom’s, outfits … More CINDERELLA – REVIEW – LYRIC HAMMERSMITH