Amy catches up with Katie Elin-Salt who is currently starring as Peggy Starr in Are You As Nervous As I Am? A new British musical on now at Greenwich Theatre!

Hi Katie, how are you feeling ahead of opening night?
Hugely excited, can’t wait, thrilled to be here … and yes, I am as nervous as you are!
What attracted you to this production/role?
This script landed in my lap in between lockdowns. Like many creatives navigating the pandemic, I had reassessed a lot of things professionally and actually taken a detour from my acting routes. I had been really enjoying nurturing my writing career and studying for my Masters in Music Therapy (which I still am!) However, when I picked up this script – I had one of those rare moments as an actor where I just knew this was a role I had to play and I was determined from the first read to make it hapen. It is so rare to be presented with such a gift of a character with huge emotional depth, a lifetimes journey and life altering lessons along the way that reflected rather spookily with my own personal journey at the time. Peggy is a character that arrives demanding to be heard and loved – I heard the call loud and clear, and I hope you will too !
Can you give us a brief synopsis of Are You As Nervous As I Am?
Are you as Nervous as I am telling the story of Peggy Starr and those who come and go in and out of her life over the course of 40 years. We follow her humble beginnings as a young woman growing up in a pub with a Mother who does not make life easy for her or her sister Janie. When Janie runs away to London, Peggy is left alone with her Mother’s decline into despair – and eventually runs away to London to try and find the only other family she knew, her sister. Whilst there, she finds herself
How does it feel to be in a brand-new production, what attracted you to working on something new?
I feel hugely excited to be making my debut in a brand new musical – it feels like such an exciting challenge and something totally different for me, my first ever musical (since school!) – Making new work and especially a new musical is a huge undertaking at any point, and I am inspired and hugely proud of a production that has stood strong and grown through all the challenges theatre has had thrown at it over the last few years! I am honoured to be a part of its grand opening.
What are the main themes of the show?
Family connections and bonds (both positive and negative), the search for love (of oneself and of others) and the journey to find your own voice and live life on your own terms.
What can people expect from the show?
People can expect a full on celebration of musical theatre magic – high drama, high stakes – songs that will make you laugh, cry and feel. A relatable and important story brought to life by an amazing creative team and a brilliant cast and crew who are passionate about the story they are telling.
What is your favourite song in the show?
I love them all – but I have a special place in my heart for Peggy’s final song “face to face with me” – it is a song she sings at the end of her journey, when she realises the most important love she will ever find is the love for herself. I don’t think I’ve ever heard a song in a musical quite like it, and it is a song I think everyone can relate to. I first read Shaun Mackenna’s beautiful lyrics and knew how special it was, and when I heard Leighton’s composition I cried like a baby – it’s still very hard to hold it together now !
Are You As Nervous As I Am? Is on at Greenwich Theatre until the 23rd of October.
- A PISSEDMAS CAROL – REVIEW – LEICESTER SQUAREThe infamous Sh!t Faced Showtime are back in London with a festive edition, they have taken Dickens’ classic and put a drunken spin on it. The formula is the same as other iterations of the Shi!t Faced shows, one member of the cast has been boozing, and this time it is John Milton who plays … More A PISSEDMAS CAROL – REVIEW – LEICESTER SQUARE
- A CHRISTMAS CAROL – REVIEW – ALEXANDRA PALACESpine-tingling yet heart-warming, Mark Gatiss’s retelling of A Christmas Carol truly encapsulates the haunting atmosphere of a Victorian ghost story, balanced out with enough humour so as to capture the festive season. Led by Keith Allen as Scrooge, with Peter Forbes as Marley, this show is perfect for Christmas viewing. The set design by Paul Wills is instantly captivating, … More A CHRISTMAS CAROL – REVIEW – ALEXANDRA PALACE
- A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503The title of this winner of Theatre 503’s 2023 International Playwriting Award by Roxy Cook may seem like the set-up to a joke, but the narrative that unspools is instead an affectionate, gently barbed and at base quite sobering portrait of three ordinary souls (and one restless feline) adrift in modern Moscow. There is much … More A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503
- PETER PAN GOES WRONG – REVIEW – LYRIC THEATREPeter Pan Goes Wrong first premiered in London at the Pleasance Theatre in 2013, and earlier this year the show made its Broadway debut. Now the production is back in the West End for the Christmas season. Following on from The Play That Goes Wrong, in this production, J.M. Barrie’s Peter Pan is staged by … More PETER PAN GOES WRONG – REVIEW – LYRIC THEATRE
- GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSEDrawing heavily from the classic canon of the British supernatural, HighTide’s trio of contemporary Gothic narratives uses traditional storytelling formats to address contemporary themes. Directed by Elayce Ismail, reverent musical interludes accompany tales of apparitions and nighttime conjurings that speak of women from the East of England. Unfortunately, the effect is less chilling and more … More GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSE