From the minds of Degrees of Error Theatre, comes an improvised murder mystery. The announcement at the beginning of the show states that everything that unfolds on stage is improvised.
The detective (Peter Barker) throws a hat into the audience and his co-detective, Jerkins, is chosen. With audience suggestions of a crime and place; we ended up with ‘The Case of the Blue Jelly’ at ‘A Not My Baby, Baby Shower’.
With our story formed, we watch as the characters are introduced, all performers in different coloured outfits. Jerkins then chooses the victim and the murderer but secretly passes coloured cards to the detective.
With a couple preparing for their cat’s baby shower, two brothers that inherited a jelly-making business, who know nothing about jelly, and a scientist who goes around conducting paternity tests – the results of this improv show are bonkers, to say the least.
It’s incredibly well structured, Barker guides the show, chiming in when necessary to amp up the humour. Lights go out and freeze frames occur regularly to ensure the show progresses with good pacing, if there is a hesitation the tech team moves the show along. The freeze frames also provide some extra hilarity.
Stephen Clements as Mr Blue, the unfortunate victim, is a standout. Incorporating jelly-themed puns, including “I don’t think you’re ready for this jelly”, he’s responsible for many laughs throughout the hour.
Murder, She Didn’t Write has a winning formula, and it’s incredibly fun to see the performers do something which the others must then react to. I love that we get to work out who the killer is and guess at the end. This is a killer hour of improv!
Since its Broadway premiere in 1976, Pacific Overtures has become a surprising addition to the musical theatre canon. Telling the story of Japan’s isolationist foreign policy transformed in 1853 by the arrival of American forces was and is not traditional musical theatre fare. Nor is the manner of telling; writers Stephen Sondheim and John Weidman, coupled with original director Hal Prince, sought to tell this as a Japanese story with techniques borrowed from kabuki and with music structured around fourths, rather than Western triads. Although relatively little known within Sondheim’s body of work, it is one of his most ambitious … More PACIFIC OVERTURES – REVIEW – MENIER CHOCOLATE FACTORY
Following on from a successful run at the Edinburgh Fringe, this boy band Christmas music has made its way to the Seven Dials Playhouse. With an obvious influence from Dickens’ classic Christmas story, Chris Kirkpatrick is visited by an Angel – Marky Mark and is allowed to make a wish. What follows is an hour of boy band fun. Yes, this plot might sound crazy… but it ain’t no lie. The plot is rather thin on the ground, and whilst at times the production really leans into the weird and hilarious, so much about it could be made bigger. The … More CHRISKIRKPATRICKMAS – REVIEW – SEVEN DIALS PLAYHOUSE
The infamous Sh!t Faced Showtime are back in London with a festive edition, they have taken Dickens’ classic and put a drunken spin on it. The formula is the same as other iterations of the Shi!t Faced shows, one member of the cast has been boozing, and this time it is John Milton who plays Scrooge. Before the show, half a bottle of Jim Beam, some wine, and beer have been consumed in the previous 4 hours. The rest of the cast, try to keep the show on track, also aided by James Murfitt as the compere, Charles Dickens. The … More A PISSEDMAS CAROL – REVIEW – LEICESTER SQUARE
Spine-tingling yet heart-warming, Mark Gatiss’s retelling of A Christmas Carol truly encapsulates the haunting atmosphere of a Victorian ghost story, balanced out with enough humour so as to capture the festive season. Led by Keith Allen as Scrooge, with Peter Forbes as Marley, this show is perfect for Christmas viewing. The set design by Paul Wills is instantly captivating, containing stacks of metal cabinets towering over the theatre, moveable by the cast to allow space for other central props like doors, beds and tables. In addition to this, the puppetry design by Matthew Forbes is incredibly clever, adding creepy elements to the show such … More A CHRISTMAS CAROL – REVIEW – ALEXANDRA PALACE
The title of this winner of Theatre 503’s 2023 International Playwriting Award by Roxy Cook may seem like the set-up to a joke, but the narrative that unspools is instead an affectionate, gently barbed and at base quite sobering portrait of three ordinary souls (and one restless feline) adrift in modern Moscow. There is much affable, satirical back-and-forth commentary on the accepted myths & stereotypes of the Russian spirit & soul. Beset by the indignities of age, opportunism, graft, fatigue, the characters orbit one another, doomed to play out their roles in an unjust, predatory and saturnine universe. The play opens … More A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503