SUSAN HILL’S THE WOMAN IN BLACK
AT THE FORTUNE THEATRE ANNOUNCES
JULIAN FORSYTH AS ‘ARTHUR KIPPS’
AND
MATTHEW SPENCER AS ‘THE ACTOR’

PW Productions are delighted to announce the new cast of Susan Hill’s THE WOMAN IN BLACK at The Fortune Theatre, London. Julian Forsyth returns to the production to star as Arthur Kipps and Matthew Spencer reprises his role as The Actor from Tuesday 7 June 2022.
Due to the show’s enduring popularity with young people, the Producers are pleased to offer a free ticket to those aged 18 and under to see the West End production, alongside a full paying adult.
Julian Forsyth is a stage and television actor who first played Arthur Kipps in The Woman in Black in 2010, before reprising the role at the Fortune Theatre in 2014. His theatrical credits include An American In Paris at the Dominion Theatre, Guys and Dolls at the Royal Albert Hall, Sunset Boulevard at the Coliseum, The Go-Between at the Apollo Theatre, Wicked at the Apollo Victoria. His television credits include Father Brown, A Touch of Frost, The Curse of Steptoe, and Holby City.
Matthew Spencer returns to The Woman in Black as The Actor, having first played the role both at The Fortune Theatre and on tour. His other theatrical credits include Amadeus at the National Theatre, Haunting Julia and The Invisible Man both at the Queen’s Theatre, Hornchurch, 1984 and The Iliad, both at the Almeida, War House at the National Theatre and Nicholas Nickleby at the Gielgud Theatre, Chichester Festival Theatre and on tour. He has also appeared on television in My Family and on film in The Man You’re Not.
In June 2019 THE WOMAN IN BLACK celebrated its 30thAnniversary in London’s West End with a special gala performance.
Stephen Mallatratt’s adaptation of Susan Hill’s best-selling novel tells the story of a lawyer obsessed with a curse that he believes has been cast over his family by the spectre of a Woman in Black. He engages a young actor to help him tell his story and exorcise the fear that grips his soul. It begins innocently enough, but as they delve further into his darkest memories, they find themselves caught up in a world of eerie marshes and moaning winds. The borders between make-believe and reality begin to blur and the flesh begins creep.
THE WOMAN IN BLACK is directed by Robin Herford, with designs by Michael Holt and lighting by Kevin Sleep.
- A PISSEDMAS CAROL – REVIEW – LEICESTER SQUAREThe infamous Sh!t Faced Showtime are back in London with a festive edition, they have taken Dickens’ classic and put a drunken spin on it. The formula is the same as other iterations of the Shi!t Faced shows, one member of the cast has been boozing, and this time it is John Milton who plays … More A PISSEDMAS CAROL – REVIEW – LEICESTER SQUARE
- A CHRISTMAS CAROL – REVIEW – ALEXANDRA PALACESpine-tingling yet heart-warming, Mark Gatiss’s retelling of A Christmas Carol truly encapsulates the haunting atmosphere of a Victorian ghost story, balanced out with enough humour so as to capture the festive season. Led by Keith Allen as Scrooge, with Peter Forbes as Marley, this show is perfect for Christmas viewing. The set design by Paul Wills is instantly captivating, … More A CHRISTMAS CAROL – REVIEW – ALEXANDRA PALACE
- A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503The title of this winner of Theatre 503’s 2023 International Playwriting Award by Roxy Cook may seem like the set-up to a joke, but the narrative that unspools is instead an affectionate, gently barbed and at base quite sobering portrait of three ordinary souls (and one restless feline) adrift in modern Moscow. There is much … More A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503
- PETER PAN GOES WRONG – REVIEW – LYRIC THEATREPeter Pan Goes Wrong first premiered in London at the Pleasance Theatre in 2013, and earlier this year the show made its Broadway debut. Now the production is back in the West End for the Christmas season. Following on from The Play That Goes Wrong, in this production, J.M. Barrie’s Peter Pan is staged by … More PETER PAN GOES WRONG – REVIEW – LYRIC THEATRE
- GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSEDrawing heavily from the classic canon of the British supernatural, HighTide’s trio of contemporary Gothic narratives uses traditional storytelling formats to address contemporary themes. Directed by Elayce Ismail, reverent musical interludes accompany tales of apparitions and nighttime conjurings that speak of women from the East of England. Unfortunately, the effect is less chilling and more … More GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSE