In late 12th century Japan, just as the age of the Samurai dawns, the rivalry between the Minamoto and Taira clans intensifies.
And Romeo and Juliet fall fatefully in love…
And Queen is playing….
Featuring the original recordings of Queen’s masterpiece ‘Bohemian Rhapsody’, ‘Love of My Life’ and ‘You’re My Best Friend’, and many more from the album; A Night At The Kabuki beautifully intertwines music, storytelling and Japanese stagecraft to create a wholly unique and unmissable show.
Takako Matsu, actress and pop singer, who was the voice of Elsa in the Japanese version of Frozen, plays Old Juliet (there are two but you’ll keep up don’t worry), she is funny, engaging and the heart of this piece. Suzu Hirose as Young Juliet is utterly compelling, you could not keep your eyes off her when she entered the stage. In any rendition of Romeo and Juliet she would be wonderful. Satoshi Hashimoto’s Monk is a comedic delight and Hideki Noda’s performance as Nurse is the epitome of energy and perfect timing. A stunning cast all round.
The staging by Yukio Horio, consists of a horseshoe clean white backdrop of doors – reminiscent of a hospital ward – which creates the entrances and exists for all manner of locations. There is a crisp, clinical feel to it which transforms throughout the play into crowded parties and battlefields to the intimacy of Juliet’s bedroom. Hospital beds become ships, graves and with the use of a simple but beautifully executed white sheet, the means of changing our heroes into their older/younger selves. I genuinely don’t know how to do the set justice, it is masterful. A particularly impactful visual is the paper plane motif, highlighting lost messages and the role of miscommunication in this most beloved of tragic love stories.
Kodue Hibino’s vibrant costumes highlight our families feud, with signifier colours of red and blue, our couples moving between vibrant pinks and blues into grey as their life and love get torn apart.
Shakespearean dialogue is beautifully intertwined with modern references as our story unfolds. What if Romeo and Juliet could change their fate? Our hapless heroes work behind the scenes to change their destiny.
By the end of Act One Shakespeare takes his bow and Noda steps up. Act Two, our tale moves to focus on the warring clans, with Romeo and Juliet trying to find each other, although destiny seems to have other plans. Just when you start to wonder where we could be possibly going with this it suddenly all falls into place, ending as it began. It really was quite a stunning feat of storytelling.
A Night At The Kabuki is delightfully funny, and a beautiful reimagining of a classic with some of the greatest music ever written (in my humble opinion) You can’t beat Freddie Mercury’s vocals soaring around the theatre.
Let’s address the length – it’s 3 hours, which for the seasoned ballet and opera fan amongst us is par for the course but for the frequenters of the one act play, just make sure you go to the loo first!
I am not familiar with Japanese Kabuki as an art form but was utterly delighted by this performance and it has certainly inspired me to seek out more Japanese theatre and Hideki Noda’s works.
An absolute feast for the eyes, utterly compelling – it’s worth a numb bum!
The infamous Sh!t Faced Showtime are back in London with a festive edition, they have taken Dickens’ classic and put a drunken spin on it. The formula is the same as other iterations of the Shi!t Faced shows, one member of the cast has been boozing, and this time it is John Milton who plays Scrooge. Before the show, half a bottle of Jim Beam, some wine, and beer have been consumed in the previous 4 hours. The rest of the cast, try to keep the show on track, also aided by James Murfitt as the compere, Charles Dickens. The … More A PISSEDMAS CAROL – REVIEW – LEICESTER SQUARE
Spine-tingling yet heart-warming, Mark Gatiss’s retelling of A Christmas Carol truly encapsulates the haunting atmosphere of a Victorian ghost story, balanced out with enough humour so as to capture the festive season. Led by Keith Allen as Scrooge, with Peter Forbes as Marley, this show is perfect for Christmas viewing. The set design by Paul Wills is instantly captivating, containing stacks of metal cabinets towering over the theatre, moveable by the cast to allow space for other central props like doors, beds and tables. In addition to this, the puppetry design by Matthew Forbes is incredibly clever, adding creepy elements to the show such … More A CHRISTMAS CAROL – REVIEW – ALEXANDRA PALACE
The title of this winner of Theatre 503’s 2023 International Playwriting Award by Roxy Cook may seem like the set-up to a joke, but the narrative that unspools is instead an affectionate, gently barbed and at base quite sobering portrait of three ordinary souls (and one restless feline) adrift in modern Moscow. There is much affable, satirical back-and-forth commentary on the accepted myths & stereotypes of the Russian spirit & soul. Beset by the indignities of age, opportunism, graft, fatigue, the characters orbit one another, doomed to play out their roles in an unjust, predatory and saturnine universe. The play opens … More A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503
Peter Pan Goes Wrong first premiered in London at the Pleasance Theatre in 2013, and earlier this year the show made its Broadway debut. Now the production is back in the West End for the Christmas season. Following on from The Play That Goes Wrong, in this production, J.M. Barrie’s Peter Pan is staged by the fictitious Cornley Polytechnic Drama Society and goes awry, disastrously so. The meta-comedy is filled with slapstick comedy, sometimes the humour may be predictable and silly, but it’s universally funny throughout – there is something for everyone here, and the laughs come thick and fast … More PETER PAN GOES WRONG – REVIEW – LYRIC THEATRE
Drawing heavily from the classic canon of the British supernatural, HighTide’s trio of contemporary Gothic narratives uses traditional storytelling formats to address contemporary themes. Directed by Elayce Ismail, reverent musical interludes accompany tales of apparitions and nighttime conjurings that speak of women from the East of England. Unfortunately, the effect is less chilling and more lightweight, with conventional structures, predictable plot twists and an over-reliance on external forces to drive narrative shoring up some of the less relatable aspects of the genre. Nicola Werenowska’s The Beach House, perhaps the cleanest of the three tales, tells of a mother and daughter’s … More GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSE
The infamous Sh!t Faced Showtime are back in London with a festive edition, they have taken Dickens’ classic and put a drunken spin on it. The formula is the same as other iterations of the Shi!t Faced shows, one member of the cast has been boozing, and this time it is John Milton who plays … More A PISSEDMAS CAROL – REVIEW – LEICESTER SQUARE
Spine-tingling yet heart-warming, Mark Gatiss’s retelling of A Christmas Carol truly encapsulates the haunting atmosphere of a Victorian ghost story, balanced out with enough humour so as to capture the festive season. Led by Keith Allen as Scrooge, with Peter Forbes as Marley, this show is perfect for Christmas viewing. The set design by Paul Wills is instantly captivating, … More A CHRISTMAS CAROL – REVIEW – ALEXANDRA PALACE
The title of this winner of Theatre 503’s 2023 International Playwriting Award by Roxy Cook may seem like the set-up to a joke, but the narrative that unspools is instead an affectionate, gently barbed and at base quite sobering portrait of three ordinary souls (and one restless feline) adrift in modern Moscow. There is much … More A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503
Peter Pan Goes Wrong first premiered in London at the Pleasance Theatre in 2013, and earlier this year the show made its Broadway debut. Now the production is back in the West End for the Christmas season. Following on from The Play That Goes Wrong, in this production, J.M. Barrie’s Peter Pan is staged by … More PETER PAN GOES WRONG – REVIEW – LYRIC THEATRE
Drawing heavily from the classic canon of the British supernatural, HighTide’s trio of contemporary Gothic narratives uses traditional storytelling formats to address contemporary themes. Directed by Elayce Ismail, reverent musical interludes accompany tales of apparitions and nighttime conjurings that speak of women from the East of England. Unfortunately, the effect is less chilling and more … More GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSE