REVIEW – BANGERS – SOHO THEATRE

Bangers is a fantastic, immersive piece that uses music as the backdrop, to engage the audience with the story.

© Toyin Dawudu

Bangers written by Danusia Samal and directed by Chris Sonnex, follows the ups and downs of two characters as they navigate through their past and contemplate what their future holds. Their stories include falling in love, discovering their sexuality, and reigniting their creative spark. Throughout the captivating storytelling, the DJ continually plays music and shares words of wisdom for Aria (Danusia Samal) and Clef (Darragh Hand).

Walking up the stairs and into the Soho Theatre, the first thing you notice is that the stage has been transformed into a club setting. The DJ, played by Duramaney Kamara, stands behind a decorated block of decks, playing an impressive selection of R&B, hip hop and afro beats. The DJ spoke with the crowd, giving shout-outs to everyone who walked into the theatre. As the DJ introduces the headliners, Aria and Clef, the lights go down and all three characters break into an energetic, synchronised performance to an infamous Lethal Bizzle track. 

Bangers is a fantastic, immersive piece that uses music as the backdrop, to engage the audience with the story. I liked how the cast acknowledged the audience, encouraging us to get involved by clapping and chanting along. We are introduced to Aria and Clef in separate storylines that are gradually tied together at a club night, where these two strangers have more in common than they think. Aria is unassuming, guarded and struggles to regain power. Clef is the idealistic teenager, passionate about music but still finding himself. 

© Toyin Dawudu

Samal and Hand give incredible performances when transforming into the supporting characters. Samal perfectly embodies Tone as the enthusiastic, slightly jarring best friend of Clef, whilst Hand had the audience in stitches for their portrayal of sassy, men-loathing (yet marrying one!) best friend, Bex. Hand has such joyous energy that instantly captures the audience’s attention.

Every scene change is signified as a track listing, with each ‘track’ telling an additional part of Aria and Clef’s journey. Being the musical narrator, the DJ was naturally funny and has great comedic timing and chemistry with Aria and Clef. 

The play is just under 80 minutes long yet manages to delve deep and explore the characters. The script is clever, with most scenes written with rhyme and lyrics, wonderfully performed by the cast. As the story goes on, the emotional complexities which Aria and Clef go through are revealed. Clef faces the dilemma of choosing between education and music, as well as dealing with his personal relationships. We also discover why Aria’s passion for music ceased and why she was hiding her true self in her relationships. I was in awe of Samal’s performance, not only for their amazing vocals but also for their ability to showcase the vulnerable side of Aria.

Although the props are limited, I enjoyed the attention to detail. This included a set of blocks covered in stickers and graffiti art that displayed a collection of powerful messages on varying socio-political issues faced in the UK. Microphones, a disco ball, and glow in the dark sunglasses all added to the themes of this music play. 

Soho Theatre and Cardboard Citizens co-produced ‘Bangers’, it runs for three weeks until the 2nd of July. The play, is set in an urban London, featuring classic UK garage tunes that are instantly recognised. There are also original tracks from Duramaney Kamara, Danusia Samal and Chris Sonnex, heavily inspired by early noughties and present-day R&B and brilliantly performed by the main characters. I loved the themes, the character transformations, the sense of nostalgia and creativity during ‘Bangers’, and most of all, the music.

Rating: 5 out of 5.

{🎟 AD – PR invite – Tickets were gifted in exchange for an honest review}

2 Star Review 3 Star Review 4 Star Review 5 Star Review 2022 2023 Adaptation Almeida Cabaret Camden Fringe Cast Announcement Christmas Comedy Dance Drag Edinburgh Fringe Edinburgh Fringe Interviews Fringe Immersive Interviews Jukebox Musical LGBTQIA+ Lyric Hammersmith Manchester Musical New Musical News New Wimbledon Theatre North West Off West End Park Theatre Play Review Revival Richmond Theatre Round Up Royal Court Theatre Shakespeare Show Announcement Show Recommendations Soho Theatre Southwark Playhouse Touring Production VAULT Festival West End

  • A PISSEDMAS CAROL – REVIEW – LEICESTER SQUARE
    The infamous Sh!t Faced Showtime are back in London with a festive edition, they have taken Dickens’ classic and put a drunken spin on it. The formula is the same as other iterations of the Shi!t Faced shows, one member of the cast has been boozing, and this time it is John Milton who plays Scrooge. Before the show, half a bottle of Jim Beam, some wine, and beer have been consumed in the previous 4 hours. The rest of the cast, try to keep the show on track, also aided by James Murfitt as the compere, Charles Dickens. The … More A PISSEDMAS CAROL – REVIEW – LEICESTER SQUARE
  • A CHRISTMAS CAROL – REVIEW – ALEXANDRA PALACE
    Spine-tingling yet heart-warming, Mark Gatiss’s retelling of A Christmas Carol truly encapsulates the haunting atmosphere of a Victorian ghost story, balanced out with enough humour so as to capture the festive season. Led by Keith Allen as Scrooge, with Peter Forbes as Marley, this show is perfect for Christmas viewing. The set design by Paul Wills is instantly captivating, containing stacks of metal cabinets towering over the theatre, moveable by the cast to allow space for other central props like doors, beds and tables. In addition to this, the puppetry design by Matthew Forbes is incredibly clever, adding creepy elements to the show such … More A CHRISTMAS CAROL – REVIEW – ALEXANDRA PALACE
  • A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503
    The title of this winner of Theatre 503’s 2023 International Playwriting Award by Roxy Cook may seem like the set-up to a joke, but the narrative that unspools is instead an affectionate, gently barbed and at base quite sobering portrait of three ordinary souls (and one restless feline) adrift in modern Moscow. There is much affable, satirical back-and-forth commentary on the accepted myths & stereotypes of the Russian spirit & soul. Beset by the indignities of age, opportunism, graft, fatigue, the characters orbit one another, doomed to play out their roles in an unjust, predatory and saturnine universe. The play opens … More A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503
  • PETER PAN GOES WRONG – REVIEW – LYRIC THEATRE
    Peter Pan Goes Wrong first premiered in London at the Pleasance Theatre in 2013, and earlier this year the show made its Broadway debut. Now the production is back in the West End for the Christmas season. Following on from The Play That Goes Wrong, in this production, J.M. Barrie’s Peter Pan is staged by the fictitious Cornley Polytechnic Drama Society and goes awry, disastrously so. The meta-comedy is filled with slapstick comedy, sometimes the humour may be predictable and silly, but it’s universally funny throughout – there is something for everyone here, and the laughs come thick and fast … More PETER PAN GOES WRONG – REVIEW – LYRIC THEATRE
  • GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSE
    Drawing heavily from the classic canon of the British supernatural, HighTide’s trio of contemporary Gothic narratives uses traditional storytelling formats to address contemporary themes. Directed by Elayce Ismail, reverent musical interludes accompany tales of apparitions and nighttime conjurings that speak of women from the East of England. Unfortunately, the effect is less chilling and more lightweight, with conventional structures, predictable plot twists and an over-reliance on external forces to drive narrative shoring up some of the less relatable aspects of the genre. Nicola Werenowska’s The Beach House, perhaps the cleanest of the three tales, tells of a mother and daughter’s … More GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSE

2 Star Review 3 Star Review 4 Star Review 5 Star Review 2022 2023 Adaptation Cast Announcement Comedy Dance Edinburgh Fringe Edinburgh Fringe Interviews Fringe Interviews LGBTQIA+ Manchester Musical News New Wimbledon Theatre Off West End Park Theatre Play Review Revival Shakespeare Show Announcement Southwark Playhouse Touring Production VAULT Festival West End


Leave a Reply