REVIEW – HOW WE BEGIN – VAULT FESTIVAL

Bisexual representation has never been so beautiful.

How We Begin tells the story of two best friends turned lovers turned sexual partners turned back to best friends. It all begins (though it really began at fresher’s week, three years previously) when Diana (Emma Lucia) tells Helen (Talia Pick) she is in love with two people: her boyfriend and Helen. What follows is a few weeks of stealing kisses and hand-holding under tables, but the relationship is inevitably unsustainable. I love how Diana is never villainized, nor is the concept of having multiple partners; as she says, “Isn’t more love a good thing?”

The framing of the story is unique, told in a series of moments between Helen and Diana, each beginning with one of them saying “This is how it begins,” or “This is how it ends.” Elisabeth Lewrenz’s writing is remarkable, with a few lighthearted queer jokes thrown in for good measure. I loved how Lucia and Pick stayed in the middle of The Pit, even though there was a stage, so the audience could feel more connected to them.

Within a few seconds of the play starting, Diana and Helen’s chemistry was so palpable I could almost touch it. Though they looked to the audience, acknowledging our presence and telling us their story, they could not keep their eyes off each other. Every word, every look, every movement is clearly thought-out, and it is all perfection.

Two very touching moments for me were when Helen tells her family she is bisexual. I will never forget her grandfather’s reaction – clapping while exclaiming “Marvelous, honey!” – and his words of wisdom: “It doesn’t matter who you love, just that you love someone who is proud to love you.” Helen’s mother’s initiative to educate herself on the experiences of lesbians (because, as she rightfully points out, there are very few books on bisexuality) nearly moved me to tears. Though not all of Helen’s experiences are as touching as these, it was encouraging to see queerness handled by family in such a lovely way.

I wish I could see How We Begin for the first time over and over to have the same wonderful experience.

Rating: 5 out of 5.

SAVE THE VAULT FESTIVAL

VAULT Festival has been left without a venue for 2024’s festival and beyond
• VAULT Festival have launched a #SaveVAULT campaign
• The campaign aims are to raise £150,000 by 19th March to support the festival’s survival AND to secure a new home for the festival to continue.
• You can help by donating, helping access funding networks, and helping then find a venue.
• You are officially implored to make the most of 2023’s Festival while it lasts!

{🎟 AD – PR invite – Tickets were gifted in exchange for an honest review}

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{🎟 AD – PR invite – Tickets were gifted in exchange for an honest review}

2 Star Review 3 Star Review 4 Star Review 5 Star Review 2022 2023 Adaptation Almeida Cabaret Camden Fringe Cast Announcement Christmas Comedy Dance Drag Edinburgh Fringe Edinburgh Fringe Interviews Fringe Immersive Interviews Jukebox Musical LGBTQIA+ Lyric Hammersmith Manchester Musical New Musical News New Wimbledon Theatre North West Off West End Park Theatre Play Review Revival Richmond Theatre Round Up Royal Court Theatre Shakespeare Show Announcement Show Recommendations Soho Theatre Southwark Playhouse Touring Production VAULT Festival West End

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    Spine-tingling yet heart-warming, Mark Gatiss’s retelling of A Christmas Carol truly encapsulates the haunting atmosphere of a Victorian ghost story, balanced out with enough humour so as to capture the festive season. Led by Keith Allen as Scrooge, with Peter Forbes as Marley, this show is perfect for Christmas viewing. The set design by Paul Wills is instantly captivating, containing stacks of metal cabinets towering over the theatre, moveable by the cast to allow space for other central props like doors, beds and tables. In addition to this, the puppetry design by Matthew Forbes is incredibly clever, adding creepy elements to the show such … More A CHRISTMAS CAROL – REVIEW – ALEXANDRA PALACE
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    The title of this winner of Theatre 503’s 2023 International Playwriting Award by Roxy Cook may seem like the set-up to a joke, but the narrative that unspools is instead an affectionate, gently barbed and at base quite sobering portrait of three ordinary souls (and one restless feline) adrift in modern Moscow. There is much affable, satirical back-and-forth commentary on the accepted myths & stereotypes of the Russian spirit & soul. Beset by the indignities of age, opportunism, graft, fatigue, the characters orbit one another, doomed to play out their roles in an unjust, predatory and saturnine universe. The play opens … More A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503
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  • CINDERELLA – REVIEW – LYRIC HAMMERSMITH
    Drum roll please…(Cue a literal drum rolling across the stage.) The Lyric pantomime is one of traditions with the return of many well-loved jokes and skits. Costumes and sets are all made at the Lyric itself by Good Teeth, with set pieces being reused year on year. This year Cinderella gets the Hammersmith makeover, with some success. The costuming is fun and vibrant, with the ugly stepsisters’ equine pyjamas and hoop-skirted ball gowns giving all the wrong kinds of extra you need for those characters. Cinderella’s on stage dress transformation is magical and really well-timed. The Dame, Lady Jelly-Bottom’s, outfits … More CINDERELLA – REVIEW – LYRIC HAMMERSMITH

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