REVIEW – HUNGRY – EDINBURGH FRINGE

Chris Bush’s Hungry premiered last year at the Roundabout, it’s since had a run at Soho Theatre and now it’s back at the Roundabout at Summerhall for this years Fringe.

Hungry uses food as a symbol of class and status. Lori (Eleanor Sutton) is a chef that’s food obsessed and her love language is food. She believes food should be healthy, eco friendly, sustainable and organic. Then there is waiter Bex (Melissa Lowe) who enjoys chicken nuggets and pot noodles. She’s a lover of comfort food and these foods remind her of her upbringing. She’s proudly working class, and the difference between her and Lori is apparent. 

Lori and Bex develop a relationship and begin plans to set up a restaurant together. Lori is determined to turn Bex on to the finer things in life, believing Bex simply needs to upgrade her life. Lori is blind to the issues at large, that the food she loves is inaccessible to working class people.

At it’s core, Hungry tenderly displays a queer relationship, it’s heartfelt at times and hilarious and others. Lowe and Sutton’s chemistry is undeniable and their relationship feels authentic. Lowe is the star of the show for me, she has some great comebacks and one-liners and her deadpan expression heightens the comedic value. 

Sutton’s Lori speaks a mile a minute, and is awkward and bashful at the beginning of their relationship. Lori digs herself a hole as the play progresses, becoming irredeemable. I felt slightly as though we never really get to know Lori well. Her passion for food is clear, but beyond that Lori feels slightly one-dimensional as we learn next to nothing more about her.

Lowe’s ending monologue is simply stunning. It’s impassioned, heartfelt and important. Lowe’s delivery is intensely powerful, and soon she’s stomping on crisps littered across the floor, which heightens the intensity even more. 

Hungry highlights an array of important topics including; gentrification, class issues, grief, cultural appropriation and fatphobia, all whilst using food as the subject matter. Bush’s script is incredibly well written, complex and thought provoking and the delivery from Lowe and Sutton is powerful.

Rating: 4 out of 5.

{🎟 AD: PR Invite – Tickets gifted in exchange for an honest review}

2 Star Review 3 Star Review 4 Star Review 5 Star Review 2022 2023 2024 Adaptation Almeida Cabaret Camden Fringe Cast Announcement Christmas Comedy Dance Drag Edinburgh Fringe Edinburgh Fringe Interviews Fringe Immersive Interview Interviews Jukebox Musical LGBTQIA+ Lyric Hammersmith Manchester Musical News New Wimbledon Theatre North West Off West End Park Theatre Play Regional Production Review Revival Richmond Theatre Shakespeare Show Announcement Show Recommendations Soho Theatre Southwark Playhouse Touring Production VAULT Festival West End

  • TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK) – REVIEW – CRITERION THEATRE
    What happens when two strangers, both lacking something in life, carry a cake across New  York? If this production is anything to go by, there is one simple answer – MAGIC!  This gorgeous production, originally performed at the Kiln Theatre last December, places the  audience in the heart of New York, ‘the city of dreams’. It follows the chaotic 48 hours of Robin and Dougal, two strangers whose stories are connected by a wedding, as they do various tasks for the bride.   The story, written by Jim Barne and Kit Buchan, is exquisitely done, both parodying and celebrating romantic comedies and films set … More TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK) – REVIEW – CRITERION THEATRE
  • INTERVIEW – JAMES PHOON FROM ‘UNDERDOG: THE OTHER OTHER BRONTË’ AND ‘BRIDGERTON’
    Ellie chats to James Phoon, starring in Underdog: The Other Other Brontë, also soon to be appearing in Bridgerton Season Three. Firstly, how have you found working with the cast of Underdog: The Other Other Brontë? They’re a great bunch! I think we all feel really blessed with Sarah Gordon’s brilliant script and to be working somewhere as iconic as the National Theatre! Also, I was watching Gemma Whelan in Game of Thrones when I was in drama school, so to now be playing her brother is a pretty fun turn of events! You play Branwell, the only son of the Brontë family. How … More INTERVIEW – JAMES PHOON FROM ‘UNDERDOG: THE OTHER OTHER BRONTË’ AND ‘BRIDGERTON’
  • IS THIS THING ON? – REVIEW – CONTACT THEATRE MANCHESTER
    Is This Thing On? is a devised two-hander play from newcomers MissMatch, collaborating with So La Productions for their debut show at the Contact Theatre before touring the North West. Mary (Ellie Campbell) and Liz (Megan Keaveny) are flatmates and best friends grappling with the complexities of artistic expression and personal integrity. Mary, a poet, and Liz, a musician, banter over buying toilet paper and overhearing each other having sex, but the story quickly dives into a nuanced debate on ownership, authenticity, and storytelling’s role in challenging societal norms. The play blends music, spoken word poetry and traditional storytelling together … More IS THIS THING ON? – REVIEW – CONTACT THEATRE MANCHESTER
  • 1 TENT, 4 GIRLS – REVIEW – NEW WIMBLEDON THEATRE STUDIO
    Talkers & Doers’s 1 Tent, 4 Girls is a show that I hoped to catch at the Edinburgh Fringe last year, so I was excited to have the opportunity to watch the show during its short run at the New Wimbledon Theatre Studio. Co-directed and co-written by Amber Charlie Conroy and Rosalie Roger-Lacan, this is a light-hearted, comical, and quirky story of four girls facing the great outdoors on a camping trip to Wales. The show navigates the ever-changing politics of a girl’s group heightened in this tense environment.  The group consists of Sam (Ciara Hughes), Rosa (Alice Bebber), and … More 1 TENT, 4 GIRLS – REVIEW – NEW WIMBLEDON THEATRE STUDIO
  • PLAYER KINGS – REVIEW- NOËL COWARD THEATRE
    Ian McKellen exceeds all expectations in Robert Icke’s Player Kings, contributing to the riveting exploration of Shakespeare’s Henry IV Parts One and Two. In this modern-dress adaptation, Icke deftly navigates the complexities of patriarchal power struggles, duty versus pleasure, and the damaged psyches of its central characters. Much like the extended plot in Shakespeare’s original plays, Player Kings follows Prince Hal’s (Toheeb Jimoh) transformation from rebellious youth to noble king, navigating political intrigue, familial conflict, and the roguish antics of Sir John Falstaff (Ian McKellen). Against a backdrop of civil unrest resulting from the discontent with the way Henry IV usurped the throne … More PLAYER KINGS – REVIEW- NOËL COWARD THEATRE

Leave a Reply