As a huge fan of Carl Grose, known for writing Dead Dog in a Suitcase (and other love songs) and The Grinning Man, this reimagined take on a classic story – Robin Hood: The Legend. Rewritten, unfortunately completely misses the bullseye.
Credit: Pamela Raith
This remake pulls on political strings regarding the ecosystem, royalty, and capitalism; set in a desperate, divided kingdom where only the truly cunning can outwit the sheriff’s reign. This production also tries to incorporate characters from other adaptations, and whilst the audiences’ reactions seemed appreciative of this, I feel this is somewhat disjointed and added a slight pantomime element to the show.
Right away as the show opens, the full company floods the stage and begins playing out various roles simultaneously which feels overwhelming, as you do not know where to focus attention. This is a reoccurrence throughout the production with far too much occurring at one given moment. With so many characters it is easy for some to get lost along the way, one of which is the Villain, Gisburne (played by Ira Mandela Siobhan), who we are introduced to and who subsequently disappears until Act 2 – where the character becomes utterly bizarre through questionable direction. There is no doubt that the entire cast and creative team are talented, however, all the creative choices lack cohesion, which makes for a messy outcome.
Standing out in particular is Alex Mugnaioni as Baldwyn, overall I felt it was more his story than anyone else’s. Displaying emotional range, comedic timing, and an undeniable presence, he manages to make this character his own. He keeps the tempo of the show going and never drops a moment for humour, or for being a sadistic madman without being over the top. Paul Hunter who plays the King is also worth mentioning, with charm in his delivery which is heartwarming, and evokes a sense of sympathy towards him.
Credit: Pamela Raith
An enjoyable element is the arrows which magically seem to appear, even after numerous repeats I felt like a child in awe at how this is executed. The focus on this part felt juxtaposed to the rest of the production and I would have loved for more centring and less complex delivery; less is more sometimes. I also feel confused by the age demographic this show is aimed towards, as I feel children wouldn’t understand it as I’m sure some adults, myself included, didn’t even understand what was happening at many points throughout. With very random silly moments in some parts, but also overly gory visuals in others, the tone feels incoherent.
The idea of a Robin Hood retelling set outdoors, in a venue surrounded by trees at the stunning Regents Park Open Air Theatre is hugely appealing, allowing the audience to be immersed in the location. However, this alone cannot make a show successful and this production unfortunately fell short in every other area. Subsequently, this is a remake which misses the mark and begs me to wonder – why try to recreate something that is fine just as it was?
⭐⭐
Rating: 2 out of 5.
Robin Hood The Legend. Rewritten is on at Regents Park until 22nd July – info here!
{🎟 AD – PR invite – Tickets were gifted in exchange for an honest review}
The title of this winner of Theatre 503’s 2023 International Playwriting Award by Roxy Cook may seem like the set-up to a joke, but the narrative that unspools is instead an affectionate, gently barbed and at base quite sobering portrait of three ordinary souls (and one restless feline) adrift in modern Moscow. There is much affable, satirical back-and-forth commentary on the accepted myths & stereotypes of the Russian spirit & soul. Beset by the indignities of age, opportunism, graft, fatigue, the characters orbit one another, doomed to play out their roles in an unjust, predatory and saturnine universe. The play opens … More A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503
Peter Pan Goes Wrong first premiered in London at the Pleasance Theatre in 2013, and earlier this year the show made its Broadway debut. Now the production is back in the West End for the Christmas season. Following on from The Play That Goes Wrong, in this production, J.M. Barrie’s Peter Pan is staged by the fictitious Cornley Polytechnic Drama Society and goes awry, disastrously so. The meta-comedy is filled with slapstick comedy, sometimes the humour may be predictable and silly, but it’s universally funny throughout – there is something for everyone here, and the laughs come thick and fast … More PETER PAN GOES WRONG – REVIEW – LYRIC THEATRE
Drawing heavily from the classic canon of the British supernatural, High Tide’s trio of contemporary Gothic narratives uses traditional storytelling formats to address contemporary themes. Directed by Elayce Ismail, reverent musical interludes accompany tales of apparitions and nighttime conjurings that speak of women from the East of England. Unfortunately, the effect is less chilling and more lightweight, with conventional structures, predictable plot twists and an over-reliance on external forces to drive narrative shoring up some of the less relatable aspects of the genre. Nicola Werenowska’s The Beach House, perhaps the cleanest of the three tales, tells of a mother and … More GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSE
Drum roll please…(Cue a literal drum rolling across the stage.) The Lyric pantomime is one of traditions with the return of many well-loved jokes and skits. Costumes and sets are all made at the Lyric itself by Good Teeth, with set pieces being reused year on year. This year Cinderella gets the Hammersmith makeover, with some success. The costuming is fun and vibrant, with the ugly stepsisters’ equine pyjamas and hoop-skirted ball gowns giving all the wrong kinds of extra you need for those characters. Cinderella’s on stage dress transformation is magical and really well-timed. The Dame, Lady Jelly-Bottom’s, outfits … More CINDERELLA – REVIEW – LYRIC HAMMERSMITH
Amy catches up with Linus Karp ahead of his performance of Diana: The Untold and Untrue Story, at London’s Clapham Grand. Linus and Joseph of Awkward Productions are also the masterminds behind the new show Gwyneth Goes Skiing. Hello Your Majesty/ Candle Entrepreneur, how are you feeling coming back from a hugely successful fringe and triumphant tour across your kingdom, ahead of performing in front of 700 of your loyal subjects, and before (the list never ends!) opening a brand new show, which has recently gone viral? Exhausted, exhilarated and alive. We’ve had the most ridiculous year – I feel … More INTERVIEW – LINUS KARP – DIANA: THE UNTOLD AND UNTRUE STORY