THE STAMPING GROUND – REVIEW – KINGS THEATRE GLASGOW
Fiona Scott
Advertisements
The Stamping Ground, a new Scottishmusical produced by Raw Material and Eden Court Highlands started development in 2018 and a fully-fledged production is now touring around Scotland. Weaving the musical catalogue of the legendary band, Runrig, around an original story set in the highlands, the show frames the climate crisis and its impact on a small but tightly-knit community, in the fictional village of Glenbeag.
At the top of the show, we meet Annie (Jenny Hulse), Euan (Ali Watt) and their daughter Fiona (Caitlin Forbes), who are about to make the big move from London back to Glenbeag, where the couple grew up, for a fresh start. The sombre reasons for that fresh start come to light over the course of the show.
Hulse gives an endearing and caring performance as Annie, enamoured at being back in familiar surroundings, while torn between her own needs and those of her family. Watt plays a frustrated father, struggling to adapt to living in a place where he is haunted by old memories. Forbes gives a fine performance as a moody teenager, Fiona, as she settles into new surroundings.
The Glenbeag locals are quite the gang, including Juliet Cadzow and Robin Campbell’s hilarious performances as Maggie and Malcolm, to the charming and mysterious Summer (Naomi Stirrat), who rocks up in a caravan every summer to lead tours around the peat bogs. Annie Grace plays Euan’s mum, Mary, in a sincere and no-nonsense manner and the scenes in the local pub show off the exuberant energy of the ensemble.
Kenneth MacLeod’s set design comprises a dramatic rock face/coastline backdrop, with the edge of the stage bordered by a beautiful horizon line of light (with other striking lighting designs by Simon Wilkinson). The costumes feel modern, contrasting with the floating fantastical gowns worn by Summer and Annie during a folk festival sequence.
While packed with many Runrig hits, the show itself could do with a little trimming. The ballad-to-banger ratio feels a little high, and a superfluous love story between another prodigal son-type character and Annie felt out of kilter with the rest of the storyline, echoed by lacklustre applause and response to moments of affection between them.
The irony of watching the show about a heatwave in Scotland, during a literal heatwave in Scotland was not lost on this Glasgow audience. The heart and humour within Morna Young’s book balance well with the more serious moments in the show, creating an accessible piece that highlights the issues of tourism-fuelled gentrification, rising temperatures, and the importance of community. A monologue on the future of the lands delivered by Stirrat is particularly moving.
The audience lap up the opportunity to sing along to “Loch Lomond” at the curtain call a wise decision by the creators. Whether you only sing Runrig at parties and weddings or know their back catalogue backwards, The Stamping Ground is a fun night out and adds another contemporary musical to the Scottish musical theatre canon.
⭐⭐⭐⭐
Rating: 4 out of 5.
{🎟 AD: PR Invite – Tickets gifted in exchange for an honest review}
Advertisements The Biblical book Song of Songs stands out; unashamedly erotic, for women as well as men, it has long been a subject of controversy, and it is this book that writer, director and lead performer Ofra Daniel takes as the subject of her musical. First performed in Daniel’s home of San Francisco in 2017, this run at the Park Theatre marks the musical’s first visit to London. It is difficult not to be thrilled by the world presented in A Song of Songs. The soundscape is one of klezmer music and infectious rhythms, composed by Daniel and Lior Ben-Hur with collaborators Ali … More SONG OF SONGS – REVIEW – PARK THEATRE
Advertisements Who’s afraid of Stephen Sondheim? I certainly would have been, having seen this show. Playwright Anthony Shaffer’s original title, an homage to the Broadway composer and puzzle obsessive, was changed to Sleuth before the play’s 1970 premiere, whereupon it won the Tony for best play, and has since been adapted for screen by both Joseph L. Mankiewicz and Harold Pinter. It is certainly an auspicious beginning, and it is a delight to see that fifty years on, this clever play can still stay a step ahead of its audience. The play opens with Andrew (Todd Boyce), a writer of detective fiction, … More SLEUTH – REVIEW – RICHMOND THEATRE
Advertisements Jesus Christ Superstar reimagines the biblical story of Jesus’ last days through a contemporary lens, portraying him as a rockstar figure navigating betrayal, redemption, and finally crucifixion. At the New Wimbledon Theatre, this iconic musical comes to life with electrifying energy and innovative staging. Fans of Andrew Lloyd Webber and Tim Rice, the dynamic duo of England’s musical theatre scene, will recognise the typical elements of their work; and they are as electrifying as ever. The rock score is performed by a mainly hidden live band, filling the theatre with a pulsating sound. The observant audience member can spot the … More JESUS CHRIST SUPERSTAR – REVIEW – NEW WIMBLEDON THEATRE
Advertisements Spirited Away premiered in Tokyo in February 2022 and is now having its European premiere at the London Coliseum. Hitting theatreland following the success of the RSC’s adaptation of Studio Ghibli’s My Neighbour Totoro, which is transferring to the West End next year. Based on the 2001 anime film, Spirited Away centres around Chihiro a young girl, who inadvertently winds up in a world ruled by witches and spirits – with her parents turned into pigs. What follows is her quest to save her parents and return to the real world. The highlight of this production is the creative elements; the set, designed by Jon Bausor is vast, imaginative, and transportive, … More SPIRITED AWAY – REVIEW – LONDON COLISEUM
Advertisements The Accountants is a multimedia stage spectacle, melding dance and modern communication. It premieres at Aviva Studios and is the UK debut performance for the Terrence Lewis Contemporary Dance Company and Xiexin Dance Theatre. Liam (Josh Hart) is trying to find himself while travelling Asia, keeping in contact with his favourite ‘auntie’ Kash (Shobna Gulati). Using Kash’s wisdom to guide him around India and China, Liam tries to understand his own identity as an Asian person while watching the accountants in his head dance. After I picked my ticket up from the box office, I was collared by a … More THE ACCOUNTANTS – REVIEW – AVIVA STUDIOS