UNWANTED OBJECTS – BRIGHTON FRINGE

Beautifully human and emotional: Unwanted Objects voices a unique perspective on the items that we carry throughout our lives.

Performed by creative duo David Head and Matt Glover, with only a guitar and a limited set, the story relies fully on your imagination and your acceptance of the whimsical tales that are told.

The show consists of chapters – each focusing on a different object within the secondhand shop, which is compassionately narrated by Head. Accompanying the luscious script is a song cycle of folk ballads, performed by Glover, each encapsulating the chapter that had just been told. In many ways it felt like a comforting audiobook, however, the emotive performances of both Head and Glover ensured that my eyes remained focused on each word as much as my ears.

Direction by Laura Killeen was purposeful throughout, although did sometimes feel a little stagnant, with the characters repeatedly picking up and moving their chairs for each chapter. However, I completely accept that this could have been due to the restrictions on the size of the space. Despite this, the intimacy of the squeak dome of Rotunda Theatre was the perfect partner for this intimate and honest performance.

The concept perfectly matches its atmosphere. There was something very ancient about feeling like I was sitting and listening to a storyteller, accompanied by a bard who helped to support the storyteller’s words. It felt like this experience would be very at home in an old bookshop, or indeed an antique shop – not dissimilar from the one that the objects within the play are held in.

I found this show surprisingly powerful. Acoustic music and a heavy focus on a well-constructed story have always been a recipe for an excellent show in my eyes, however, it takes a special show for you to be able to see yourself and loved ones within the piece.

The true genius of this show is that the stories are filled with universal truths for anyone – there is something for everyone to be able to relate to. And allowing an audience to see themselves within the piece makes it feel all the more significant.

Unwanted Objects isn’t so much bringing life to objects themselves as much as encompassing the realities of our world and showing us how our stories are carried in the objects we own. This is a show for creative and emotional people – wanting to remind themselves that they’re not alone and that we all have stories of our own to tell.

It would be an understatement to say that I enjoyed this show. It was poetic and impactful – I believe it’s essential viewing for anyone fond of being wistful and nostalgic. It was a pleasure to watch and listen to.

Rating: 5 out of 5.

{🎟 AD – PR invite – Tickets were gifted in exchange for an honest review}

2 Star Review 3 Star Review 4 Star Review 5 Star Review 2022 2023 Adaptation Almeida Cabaret Camden Fringe Cast Announcement Christmas Comedy Dance Drag Edinburgh Fringe Edinburgh Fringe Interviews Fringe Immersive Interviews Jukebox Musical LGBTQIA+ Lyric Hammersmith Manchester Musical New Musical News New Wimbledon Theatre North West Off West End Park Theatre Play Review Revival Richmond Theatre Round Up Royal Court Theatre Shakespeare Show Announcement Show Recommendations Soho Theatre Southwark Playhouse Touring Production VAULT Festival West End

  • A PISSEDMAS CAROL – REVIEW – LEICESTER SQUARE
    The infamous Sh!t Faced Showtime are back in London with a festive edition, they have taken Dickens’ classic and put a drunken spin on it. The formula is the same as other iterations of the Shi!t Faced shows, one member of the cast has been boozing, and this time it is John Milton who plays Scrooge. Before the show, half a bottle of Jim Beam, some wine, and beer have been consumed in the previous 4 hours. The rest of the cast, try to keep the show on track, also aided by James Murfitt as the compere, Charles Dickens. The … More A PISSEDMAS CAROL – REVIEW – LEICESTER SQUARE
  • A CHRISTMAS CAROL – REVIEW – ALEXANDRA PALACE
    Spine-tingling yet heart-warming, Mark Gatiss’s retelling of A Christmas Carol truly encapsulates the haunting atmosphere of a Victorian ghost story, balanced out with enough humour so as to capture the festive season. Led by Keith Allen as Scrooge, with Peter Forbes as Marley, this show is perfect for Christmas viewing. The set design by Paul Wills is instantly captivating, containing stacks of metal cabinets towering over the theatre, moveable by the cast to allow space for other central props like doors, beds and tables. In addition to this, the puppetry design by Matthew Forbes is incredibly clever, adding creepy elements to the show such … More A CHRISTMAS CAROL – REVIEW – ALEXANDRA PALACE
  • A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503
    The title of this winner of Theatre 503’s 2023 International Playwriting Award by Roxy Cook may seem like the set-up to a joke, but the narrative that unspools is instead an affectionate, gently barbed and at base quite sobering portrait of three ordinary souls (and one restless feline) adrift in modern Moscow. There is much affable, satirical back-and-forth commentary on the accepted myths & stereotypes of the Russian spirit & soul. Beset by the indignities of age, opportunism, graft, fatigue, the characters orbit one another, doomed to play out their roles in an unjust, predatory and saturnine universe. The play opens … More A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503
  • PETER PAN GOES WRONG – REVIEW – LYRIC THEATRE
    Peter Pan Goes Wrong first premiered in London at the Pleasance Theatre in 2013, and earlier this year the show made its Broadway debut. Now the production is back in the West End for the Christmas season. Following on from The Play That Goes Wrong, in this production, J.M. Barrie’s Peter Pan is staged by the fictitious Cornley Polytechnic Drama Society and goes awry, disastrously so. The meta-comedy is filled with slapstick comedy, sometimes the humour may be predictable and silly, but it’s universally funny throughout – there is something for everyone here, and the laughs come thick and fast … More PETER PAN GOES WRONG – REVIEW – LYRIC THEATRE
  • GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSE
    Drawing heavily from the classic canon of the British supernatural, HighTide’s trio of contemporary Gothic narratives uses traditional storytelling formats to address contemporary themes. Directed by Elayce Ismail, reverent musical interludes accompany tales of apparitions and nighttime conjurings that speak of women from the East of England. Unfortunately, the effect is less chilling and more lightweight, with conventional structures, predictable plot twists and an over-reliance on external forces to drive narrative shoring up some of the less relatable aspects of the genre. Nicola Werenowska’s The Beach House, perhaps the cleanest of the three tales, tells of a mother and daughter’s … More GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSE

Leave a Reply