Nabil Abdulrashid became the youngest black comedian to perform standup at the Hammersmith Apollo in 2010 at the age of 25. But he’s best known for reaching the final of Britain’s Got Talent in 2020; he’s now here at Edinburgh Fringe performing his hour of standup, The Purple Pill.
Breaking the ice immediately by suggesting that the audience probably mistook him for security outside the venue, Abdulrashid immediately sets the tone for a performance, which whilst tackling serious topics, doesn’t take itself too seriously. It’s often satirical, and pokes fun at pretty much everyone – but particularly white people.
Abdulrashid has a casual air to his delivery, and not a prompt in sight as he flawlessly delivers the hysterical set. I’ve not seen a comedian look so at ease on stage before, and his delivery style is so captivating we watch with bated breath as he pauses to take a sip of water before telling us the punchline.
He’s naturally funny, and the themes are topical and relatable. In one segment he jokes that posh people are scared of the abstract, whereas the working class are scared of real things, like bailiffs and utility bills.
Callbacks are executed spectacularly throughout, which adds to the overall hilarity of the show.
Some jokes may toe the line, and there are a couple of times where he uncomfortably imitates his daughter’s speech impediment; but this is an exceptional standup set that you should not miss. Abdulrashid is laugh-out-loud funny from start to finish.
The infamous Sh!t Faced Showtime are back in London with a festive edition, they have taken Dickens’ classic and put a drunken spin on it. The formula is the same as other iterations of the Shi!t Faced shows, one member of the cast has been boozing, and this time it is John Milton who plays Scrooge. Before the show, half a bottle of Jim Beam, some wine, and beer have been consumed in the previous 4 hours. The rest of the cast, try to keep the show on track, also aided by James Murfitt as the compere, Charles Dickens. The … More A PISSEDMAS CAROL – REVIEW – LEICESTER SQUARE
Spine-tingling yet heart-warming, Mark Gatiss’s retelling of A Christmas Carol truly encapsulates the haunting atmosphere of a Victorian ghost story, balanced out with enough humour so as to capture the festive season. Led by Keith Allen as Scrooge, with Peter Forbes as Marley, this show is perfect for Christmas viewing. The set design by Paul Wills is instantly captivating, containing stacks of metal cabinets towering over the theatre, moveable by the cast to allow space for other central props like doors, beds and tables. In addition to this, the puppetry design by Matthew Forbes is incredibly clever, adding creepy elements to the show such … More A CHRISTMAS CAROL – REVIEW – ALEXANDRA PALACE
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Peter Pan Goes Wrong first premiered in London at the Pleasance Theatre in 2013, and earlier this year the show made its Broadway debut. Now the production is back in the West End for the Christmas season. Following on from The Play That Goes Wrong, in this production, J.M. Barrie’s Peter Pan is staged by the fictitious Cornley Polytechnic Drama Society and goes awry, disastrously so. The meta-comedy is filled with slapstick comedy, sometimes the humour may be predictable and silly, but it’s universally funny throughout – there is something for everyone here, and the laughs come thick and fast … More PETER PAN GOES WRONG – REVIEW – LYRIC THEATRE
Drawing heavily from the classic canon of the British supernatural, HighTide’s trio of contemporary Gothic narratives uses traditional storytelling formats to address contemporary themes. Directed by Elayce Ismail, reverent musical interludes accompany tales of apparitions and nighttime conjurings that speak of women from the East of England. Unfortunately, the effect is less chilling and more lightweight, with conventional structures, predictable plot twists and an over-reliance on external forces to drive narrative shoring up some of the less relatable aspects of the genre. Nicola Werenowska’s The Beach House, perhaps the cleanest of the three tales, tells of a mother and daughter’s … More GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSE