Tickle, is the new hit musical comedy that LAMBCO Production bestows upon us, the show is currently on at the Drayton Arms Theatre. This ‘Standing Ovation Award’ winning production certainly shows its success in quick, short bursts.
The Tina Tickle Empire is on the lookout for some good-looking people to compete in the sport of endurance tickling. For an irresistible fee, and a summer different to any other, best of friends, Calum (Tommy Murray) and Chris (Keiran Constable) cannot resist. An unexpected job that uncovers secrets, scandals and something darker.
Before entering the space we could hear the soundscape of cats meowing and dogs barking, and wondered if we were at the right show. An eerie green lighting washed the minimal set.
The show took us on a journey with all the theatrics of a high-quality, fully-fledged production. Including original music arrangements and lyrics by Chris Burgess accompanied with synchronised choreography from Robbie O’Reilly. Burgess’ book contains an unravelling story arc, but high quality lighting design by Richard Lambert, really sets the mood of the piece.
Standing out from behind the curtain and running the “show” is the not so nefarious Tina Tickle (wonderfully played by the Dereck Walker), this character wants a world of tickling delight but also wants all the power. Walker is an entertainer that you cannot take your eyes off of, with an illuminating stage presence and finessed vocals. Walker’s performance is slightly panto-esque, but in the best way possible – and they could have had the whole show to themselves.
Murray and Constable are a harmoniously dynamic duo. Each playing their parts athletically, though we may have been shocked to see so much of them. It was clear they have a great deal of onstage chemistry and their confidence within the performance radiated.
Last, but by no means least, Davina Diamond played by Lucy Whitney was a strong tour de force all on her own! Operatic at times and fluid in both voice and movement. We really wish we had seen more of the character and wish to see Whitney bring her vocal talents to the big stage soon!
As this show moved and tried to connect with us, the moments of good were felt and appreciated, but there were also moments in which the show unfortunately dragged. The cast brought their best and we’d love to see them in other unique pieces again. We feel that not every song needed to be sung, but the point had a mild purpose for a rounded off storyline so it was included. Unfortunately, Tickle lacked feeling at times and the comedic elements were few and far between, which we feel could have been played into so much more. A show full of moments of potential but lacked a yearning desire of connection. On paper everything was in this production, but it lacked the spark to ignite. Although the story hasn’t stuck with me, the talent of the cast has.
The title of this winner of Theatre 503’s 2023 International Playwriting Award by Roxy Cook may seem like the set-up to a joke, but the narrative that unspools is instead an affectionate, gently barbed and at base quite sobering portrait of three ordinary souls (and one restless feline) adrift in modern Moscow. There is much affable, satirical back-and-forth commentary on the accepted myths & stereotypes of the Russian spirit & soul. Beset by the indignities of age, opportunism, graft, fatigue, the characters orbit one another, doomed to play out their roles in an unjust, predatory and saturnine universe. The play opens … More A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503
Peter Pan Goes Wrong first premiered in London at the Pleasance Theatre in 2013, and earlier this year the show made its Broadway debut. Now the production is back in the West End for the Christmas season. Following on from The Play That Goes Wrong, in this production, J.M. Barrie’s Peter Pan is staged by the fictitious Cornley Polytechnic Drama Society and goes awry, disastrously so. The meta-comedy is filled with slapstick comedy, sometimes the humour may be predictable and silly, but it’s universally funny throughout – there is something for everyone here, and the laughs come thick and fast … More PETER PAN GOES WRONG – REVIEW – LYRIC THEATRE
Drawing heavily from the classic canon of the British supernatural, High Tide’s trio of contemporary Gothic narratives uses traditional storytelling formats to address contemporary themes. Directed by Elayce Ismail, reverent musical interludes accompany tales of apparitions and nighttime conjurings that speak of women from the East of England. Unfortunately, the effect is less chilling and more lightweight, with conventional structures, predictable plot twists and an over-reliance on external forces to drive narrative shoring up some of the less relatable aspects of the genre. Nicola Werenowska’s The Beach House, perhaps the cleanest of the three tales, tells of a mother and … More GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSE
Drum roll please…(Cue a literal drum rolling across the stage.) The Lyric pantomime is one of traditions with the return of many well-loved jokes and skits. Costumes and sets are all made at the Lyric itself by Good Teeth, with set pieces being reused year on year. This year Cinderella gets the Hammersmith makeover, with some success. The costuming is fun and vibrant, with the ugly stepsisters’ equine pyjamas and hoop-skirted ball gowns giving all the wrong kinds of extra you need for those characters. Cinderella’s on stage dress transformation is magical and really well-timed. The Dame, Lady Jelly-Bottom’s, outfits … More CINDERELLA – REVIEW – LYRIC HAMMERSMITH
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The title of this winner of Theatre 503’s 2023 International Playwriting Award by Roxy Cook may seem like the set-up to a joke, but the narrative that unspools is instead an affectionate, gently barbed and at base quite sobering portrait of three ordinary souls (and one restless feline) adrift in modern Moscow. There is much … More A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503
Peter Pan Goes Wrong first premiered in London at the Pleasance Theatre in 2013, and earlier this year the show made its Broadway debut. Now the production is back in the West End for the Christmas season. Following on from The Play That Goes Wrong, in this production, J.M. Barrie’s Peter Pan is staged by … More PETER PAN GOES WRONG – REVIEW – LYRIC THEATRE
Drawing heavily from the classic canon of the British supernatural, High Tide’s trio of contemporary Gothic narratives uses traditional storytelling formats to address contemporary themes. Directed by Elayce Ismail, reverent musical interludes accompany tales of apparitions and nighttime conjurings that speak of women from the East of England. Unfortunately, the effect is less chilling and … More GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSE
Drum roll please…(Cue a literal drum rolling across the stage.) The Lyric pantomime is one of traditions with the return of many well-loved jokes and skits. Costumes and sets are all made at the Lyric itself by Good Teeth, with set pieces being reused year on year. This year Cinderella gets the Hammersmith makeover, with … More CINDERELLA – REVIEW – LYRIC HAMMERSMITH
Amy catches up with Linus Karp ahead of his performance of Diana: The Untold and Untrue Story, at London’s Clapham Grand. Linus and Joseph of Awkward Productions are also the masterminds behind the new show Gwyneth Goes Skiing. Hello Your Majesty/ Candle Entrepreneur, how are you feeling coming back from a hugely successful fringe and … More INTERVIEW – LINUS KARP – DIANA: THE UNTOLD AND UNTRUE STORY