Rachel Stockdale is a benefit-class, plus size northern woman. She’s also an actress, and as she was once told by a casting director, in this industry you can only be 2 of these three things – female, northern and fat. Fat Chance tells Stockdale’s story.
Fat Chance begins with Stockdale having a meltdown as she can’t find an outfit which looks nice on her. She says to the audience ‘why do we have a total meltdown before big events even when were happy with ourselves?’ And it’s a great question. Why do we?
The lamp on stage is Stockdale’s boyfriend ‘Smelly’ – both are from Newcastle, and Smelly’s voiceover is quite difficult to understand at times due to sheer speed of his speech.
The play is centred around the challenges of Rachel’s life as a fat actress, on her journey to body neutrality, something which we should all aim to achieve. Packed full of emotion, she tackles topics including, dieting, bringing up the Cambridge Diet and its starvation plan for ‘obese’ people. She also talks about the origins of the Body Mass Index Scale and how it’s a flawed tool. She highlights the discrimination she’s been subjected to within her career, how she stopped receiving audition offers when she put her dress size on her Spotlight profile. And was offered the most roles in her career when she’d lost weight. Imagine if other industries did this!
There is a moment within the show where Stockdale is attempting to fit into her wedding dress. This moment is filled with intensity, and the emotion is palpable. Stockdale sings during the show, her honest lyrics will simultaneously break your heart and make you laugh.
Fat Chance was exactly what I needed right at that moment. We all feel the consequences of fatphobia and diet culture in daily life. We live in a society that praises weight loss without ever caring what dangerous things someone may have done to lose weight. Stockdale is a captivating storyteller, and her play is raw and honest, she’s incredibly relatable. I’m sure many members of the audience have dealt with similar situations in their life.
Fat Chance truly is a superb one-woman performance that highlights some incredibly important issues. There’s some fine tuning necessary, but Stockdale’s story is one which needs to be told. And fatphobia and diet culture need to be destroyed.
⭐⭐⭐⭐
Rating: 4 out of 5.
{🎟 AD – PR invite – Tickets were gifted in exchange for an honest review}
The infamous Sh!t Faced Showtime are back in London with a festive edition, they have taken Dickens’ classic and put a drunken spin on it. The formula is the same as other iterations of the Shi!t Faced shows, one member of the cast has been boozing, and this time it is John Milton who plays Scrooge. Before the show, half a bottle of Jim Beam, some wine, and beer have been consumed in the previous 4 hours. The rest of the cast, try to keep the show on track, also aided by James Murfitt as the compere, Charles Dickens. The … More A PISSEDMAS CAROL – REVIEW – LEICESTER SQUARE
Spine-tingling yet heart-warming, Mark Gatiss’s retelling of A Christmas Carol truly encapsulates the haunting atmosphere of a Victorian ghost story, balanced out with enough humour so as to capture the festive season. Led by Keith Allen as Scrooge, with Peter Forbes as Marley, this show is perfect for Christmas viewing. The set design by Paul Wills is instantly captivating, containing stacks of metal cabinets towering over the theatre, moveable by the cast to allow space for other central props like doors, beds and tables. In addition to this, the puppetry design by Matthew Forbes is incredibly clever, adding creepy elements to the show such … More A CHRISTMAS CAROL – REVIEW – ALEXANDRA PALACE
The title of this winner of Theatre 503’s 2023 International Playwriting Award by Roxy Cook may seem like the set-up to a joke, but the narrative that unspools is instead an affectionate, gently barbed and at base quite sobering portrait of three ordinary souls (and one restless feline) adrift in modern Moscow. There is much affable, satirical back-and-forth commentary on the accepted myths & stereotypes of the Russian spirit & soul. Beset by the indignities of age, opportunism, graft, fatigue, the characters orbit one another, doomed to play out their roles in an unjust, predatory and saturnine universe. The play opens … More A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503
Peter Pan Goes Wrong first premiered in London at the Pleasance Theatre in 2013, and earlier this year the show made its Broadway debut. Now the production is back in the West End for the Christmas season. Following on from The Play That Goes Wrong, in this production, J.M. Barrie’s Peter Pan is staged by the fictitious Cornley Polytechnic Drama Society and goes awry, disastrously so. The meta-comedy is filled with slapstick comedy, sometimes the humour may be predictable and silly, but it’s universally funny throughout – there is something for everyone here, and the laughs come thick and fast … More PETER PAN GOES WRONG – REVIEW – LYRIC THEATRE
Drawing heavily from the classic canon of the British supernatural, HighTide’s trio of contemporary Gothic narratives uses traditional storytelling formats to address contemporary themes. Directed by Elayce Ismail, reverent musical interludes accompany tales of apparitions and nighttime conjurings that speak of women from the East of England. Unfortunately, the effect is less chilling and more lightweight, with conventional structures, predictable plot twists and an over-reliance on external forces to drive narrative shoring up some of the less relatable aspects of the genre. Nicola Werenowska’s The Beach House, perhaps the cleanest of the three tales, tells of a mother and daughter’s … More GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSE
The infamous Sh!t Faced Showtime are back in London with a festive edition, they have taken Dickens’ classic and put a drunken spin on it. The formula is the same as other iterations of the Shi!t Faced shows, one member of the cast has been boozing, and this time it is John Milton who plays … More A PISSEDMAS CAROL – REVIEW – LEICESTER SQUARE
Spine-tingling yet heart-warming, Mark Gatiss’s retelling of A Christmas Carol truly encapsulates the haunting atmosphere of a Victorian ghost story, balanced out with enough humour so as to capture the festive season. Led by Keith Allen as Scrooge, with Peter Forbes as Marley, this show is perfect for Christmas viewing. The set design by Paul Wills is instantly captivating, … More A CHRISTMAS CAROL – REVIEW – ALEXANDRA PALACE
The title of this winner of Theatre 503’s 2023 International Playwriting Award by Roxy Cook may seem like the set-up to a joke, but the narrative that unspools is instead an affectionate, gently barbed and at base quite sobering portrait of three ordinary souls (and one restless feline) adrift in modern Moscow. There is much … More A WOMAN WALKS INTO A BANK – REVIEW – THEATRE503
Peter Pan Goes Wrong first premiered in London at the Pleasance Theatre in 2013, and earlier this year the show made its Broadway debut. Now the production is back in the West End for the Christmas season. Following on from The Play That Goes Wrong, in this production, J.M. Barrie’s Peter Pan is staged by … More PETER PAN GOES WRONG – REVIEW – LYRIC THEATRE
Drawing heavily from the classic canon of the British supernatural, HighTide’s trio of contemporary Gothic narratives uses traditional storytelling formats to address contemporary themes. Directed by Elayce Ismail, reverent musical interludes accompany tales of apparitions and nighttime conjurings that speak of women from the East of England. Unfortunately, the effect is less chilling and more … More GHOST STORIES BY CANDLELIGHT – REVIEW – SAM WANAMAKER PLAYHOUSE